First and foremost for us is the proper and professional processing of the frame materials, especially the wooden strips. This means that the corner connections are expertly reinforced with a correct connection, a spring-loaded miter. This prevents the corners from breaking apart over time. However, professional processing also relates to the surface treatment: paint, stain, paint spray or gold / silver should always be processed across corners and be done after the four legs have been put together.

The third point is the glass: it itself protects the art from direct damage from the outside. However, the type of glass should guarantee additional protection. In contrast to window glass, UV glass protects against harmful UV radiation, which can attack, damage and thus change the paper and inks in the long term. The level of UV protection determines the permeability of the glass for UV rays. The higher the value, the less harmful rays penetrate the art. This increases the guarantee of long-term color fastness. In addition, the glass should not be reflective to prevent reflections.

In fifth place is the type of suspension. Irrespective of whether it is a serrated hanger, wire suspension, hook or an individual solution, these should be appropriate for the size and weight of the frame in order to prevent the frame from falling off the wall. In addition, the correct type and number of suspensions should be selected to prevent the bar from bending. This is the only way to guarantee permanent protection.

The seventh, but actually most important point is the decision to have the art framed professionally at all. Buying a work of art is a very individual decision, regardless of the motivation and value behind it. Having the piece framed is the next important step in preserving and enjoying the image over the long term.