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framed art

SELECTED

Frameworks in all their facets. Our selection is truly unique. Our focus is on the interplay between art and framing: the pieces are carefully selected, and the frames are individually tailored to match. Most of the artists whose works we frame have been with us for many years, or we are so fascinated and inspired by a piece that we purchase and frame it. This is how we have built a collection that is authentic and diverse.
Arno Beck

Ver,Vie,Vas

Arno Beck (*1985) combines traditional printmaking techniques with digital visual language, transferring pixel aesthetics into analog processes. Limited etching on Alt Worms handmade paper, published by POSITIONS Berlin. Edition of 75 + 3 AP, signed, dated, and numbered. Framed in a handcrafted gallery frame made of FSC-certified solid wood in pale rose, with UV-protected, anti-reflective Artglass and spacers — ready to hang.
Secure Edition
David Hedderman

Fellow Prisoners

The Irish artist David Hedderman combines drawing and painting in his work to create an expressive, figurative visual language. His current series in colored chalk on paper presents dynamic compositions in which energetic lines, transparent layers, and a diverse color palette converge. Positioned between abstraction and figuration, Hedderman explores themes such as human presence, fragmentation, and emotional resonance.
Bring Art Home
Alfredo Jaar

Limited

Reissue of the print "Other People Think," famously featured at the Berlin Autumn Salon. Exclusively in collaboration with New York artist Alfredo Jaar, the framed print is available in signed and unsigned versions.
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Vermibus

Untitled 5

Berlin-based artist and activist Vermibus has developed a unique practice centered on the critique of contemporary beauty standards. He comments on the attempts of advertising and consumer society in general to take away individual identity and replace it with that of a particular brand. The artist opposes the depersonalizing effect of advertising, which he negates through exaggeration. He removes official advertising posters from public spaces and distorts them in his studio by applying chemical solvents to the image. He dissolves the faces and skin of the models appearing in the campaigns, blurs and erases the brand logos, and then places the resigned advertisements back in their original context. Through this defamiliarization, Vermibus humanizes the previously depersonalized figures, thus offering a sharp social critique of the advertising industry and its practices on the human body.
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